Accueil > Sources historiques > Base de données bio-bibliographiques historiques sur les artistes canadiennes > MILLER, Maria Frances Ann (Morris)
Base de données d'artistes
MILLER, Maria Frances Ann (Morris)
- Naissance
- Guysborough, Nova Scotia, 1810
- Décès
- Halifax, Nova Scotia, 1875
- Notice biographique
- Maria Morris was known for botanical works. She studied art in Halifax with JE Acres, WH Jones and Prof L'Estrange and later taught there, beginning in 1830. In 1836 she was toasted as "Painter of the Year" by the North British Society. By 1840, six of her botanical paintings were published as a series of hand-coloured lithographs (Wild Flowers of Nova Scotia), with habitat notes by Titus Smith, Secretary of Agriculture for the province. This first publishing venture was under the patronage of Sir Colin Campbell, lieutenant-governor of Nova Scotia. She married Garrett TN Miller in 1841, but in 1850 was teaching in Saint John and had re-opened her school in Halifax by 1852. Dr Alexander Forrester, Secretary of Agriculture and head of the Normal School, provided the scientific notations for the second set of six lithographs under the same title in 1853, and Prof George Lawson, founder of the Botanical Society of Canada, for the third series (Wild Flowers of Nova Scotia and New Brunswick) in 1866. Although her drawings had arrived too late for the judges' consideration at the 1862 International Exhibition in London, they received favourable comment in the English press, and a new collection of her flower paintings was shown at the Paris Exposition of 1867. She continued as an advisor to her school until 1872, and passed away in 1875.
- Médias
- Painting
- Printmaking
- Etudes
- Mr. Eager's Drawing Academy (Halifax)
- Lieux de conservation des dossiers et archives
- Art Gallery of Ontario - Edward P. Taylor Research Library and Archives
- Montreal Museum of Fine Arts / Musée des Beaux-Arts de Montréal, QC
- Library and Archives Canada / Bibliothèque et Archives Canada, ON
- National Gallery of Canada, ON - Library and Archives
- University of British Columbia - Fine Arts Library
- Art Gallery of Nova Scotia
- Winnipeg Art Gallery, MA - Clara Lander Library
- Nova Scotia Archives & Records Management
- Canadian Women Artists History Initiative Documentation Centre, QC
- BIBLIOGRAPHIE
Documents sur l'artiste- "The Man About Town." Novascotian (Halifax) 19 Jan. 1837: 1.
- Barnard, Elissa. "Collector of Light: Quebec's Maurice Duplesis..." Halifax Herald Limited 13 Jul. 2003.
- Barnard, Elissa. "Our Audubon: Morris faithfully reproduced NS field flowers' splendor and flaws." Sunday Herald (Halifax) 10 Jan. 1999: B2.
- Burant, Jim. "Art in Halifax: Exhibitions and Criticism in 1830-1831." RACAR 8.2 (1981): 119-36.
- Canadian National Exhibition. Contemporary Art of Canada and Newfoundland: Collection of the International Business Machines Corporation New York: IBM Corporation, 1940.
- Carter, Alexandra E. "William H. Eagar: Drawing Master of Argyle Street, Halifax." Journal of Canadian Art History 7.2 (1984): 138-55.
- Colgate, William. Canadian Art, its Origin and Development Toronto: Ryerson, 1943.
- Cronin, Ray. Halifax Art and Artists: An Illustrated History Toronto: Art Institute of Canada, 2023
http://www.aci-iac.ca/art-books/halifax-art-and-artists/. - Davies, Gwendolyn. "Private Education for Women in Early Nova Scotia 1784-1894." Atlantis 20.1 (Fall-Winter 1995): 9-19.
- Dickenson, Victoria. First Impressions: European Views of the Natural History of Canada from the 16th to the 19th Century Kingston: Agnes Etherington Art Centre, 1992.
- Dignam, Mary Ella. "Canadian Women in the Development of Art." Women of Canada: Their Life and Work Toronto: National Council of Women of Canada, 1900.
- Farr, Dorothy and Luckyj, Natalie. From Women's Eyes: Women Painters in Canada Kingston: Agnes Etherington Art Centre, 1975.
- Field, Richard H.. "Into the Wilderness: Rediscovering Titus Smith Jr’s Philosophy of Nature." Proceedings of the Nova Scotian Institute of Science 50.2 (2020): 351-372.
- Guildford, Janet. ""Whate'er the Duty of the Hour Demands": The Work of Middle-Class Women in Halifax, 1840-1880." Social History 30.59 (1997): 1-20
http://hssh.journals.yorku.ca/index.php/hssh/issue/view/348. - Guildford, Janet. "Maria Morris Miller: The Many Functions of her Art." Atlantis 20.1 (1995): 113-23.
- Guildford, Mary. "Artist in Bloom." Sunday Herald (Halifax) 7 Oct. 2001: C8.
- Harper, J. Russell. Painting in Canada: A History Toronto: University of Toronto Press, 1966, 2nd edition 1977.
- Harvey, Mary MacKay. "Gardens of Shelburne Nova Scotia 1785-1820." Bulletin of the Association for Preservation of Technology 7.2 (1975) 45-6.
- Howe, Joseph. "The Fine Arts" Novascotian (Halifax) 15 September, 1836: 291..
- Huneault, Kristina. I'm Not Myself at All: Women, Art, and Subjectivity in Canada Montreal; Kingston: McGill-Queen's University Press, 2018.
- MacDonald, Colin S. The Dictionary of Canadian Artists. (Volumes 1-8 by Colin S. MacDonald, and volume 9 by Anne Newlands and Judith Parker) Ottawa: National Gallery of Canada, 2009.
- MacLaren, George. "Early Nova Scotia Artist: Maria Morris." Canadian Antique Collector 4.5 (May 1969): 22-3.
- McKendry, Blake. A to Z of Canadian Art: Artists and Art Terms Kingston: B. McKendry, 1997.
- McKenzie, Ruth. "Fanny Amelia Bayfield (Wright)." Dictionary of Canadian Biography Online Ottawa: Libraries and Archives Canada, 2008
http://www.biographi.ca/en/. - Morgan, Henry J. Bibliotheca Canadensis or a Manual of Canadian Literature Ottawa: 1867.
- Nutt, Elzabeth Styring. "An Incident in the Golden Age of Fine Art in Nova Scotia." Journal of Education (Feb. 1932): 71-5.
- O'Neill, Mora Dianne. Maria Morris Miller: Growing Flowers on Stone Halifax: Art Gallery of Nova Scotia, 1998.
- O'Neill, Mora, Dianne. "A Path to Learning: Early Nova Scotian Women Artists." Art Gallery of Nova Scotia Journal 39 (Spring/Summer 2012): 26.
- Petteys, Chris, et al. Dictionary of Women Artists: An International Dictionary of Women Artists Born Before 1900 Boston: G. K. Hall, 1985.
- Piers, Harry. "Artists in Nova Scotia." Nova Scotia Historical Society Collection 18 (1914): 101-65.
- Shteir Ann B. Flora's Fieldworkers: Women and Botany in Nineteenth-Century Canada Montreal & Kingston: McGill-Queen's University Press, 2022.
- Snodgrass, Mary Ellen. Women's Art of the British Empire Lanham, Maryland: Rowman & Littlefield, 2015.
- Sparling, Mary. The British Vision in Nova Scotia, 1749-1848: What views the artist reflected and reinforced Halifax: Dalhousie University, 1978.
- Sparling, Mary. Women's Work: A Selection of work by 4 significant Nova Scotia artists Halifax: Mount Saint Vincent University, 1981.
- Sparling, Mary. "Nova Scotia Women and the Ornamental Branches." Great Expectations: the European Vision in Nova Scotia: 1749-1848 Halifax: Mount Saint Vincent University, 1980: 53-72.
- Sparling, Mary. "The Lighter Auxiliaries": Women Artists in Nova Scotia in the early Nineteenth Century. Atlantis 5.1 (Fall 1979): 83-106.
- Tippett, Maria. By a Lady Toronto: Viking, 1992.
- Tucker, W. Bowman. The Romance of the Palatine Millers: A Tale of the Palatine Irish-Americans and United Empire Loyalists Montreal: Southham Press, 1929.
- Tweedie, R. A., et al., eds. Arts in New Brunswick Fredericton: Brunswick Press, 1967.
Documents rédigés par l'artiste- Miller, Maria E. Wild Flowers of Nova Scotia Halifax: C.H. Belcher, 1840.
- Miller, Mrs. Wild Flowers of British North America London: Reeve and Co, 1867.
- Miller, Mrs. Wild Flowers of Nova Scotia and New Brunswick Halifax: ML Katzman, John Snow, Paternoster Row, 1866.
Texte intégral de compte rendu (pdf).- Royal Canadian Academy Annual Exhibition: (Ottawa, mars 08, 1880) "Canadian Art. The Academy Exhibition." Free Press (Ottawa) mars 08, 1880. p.1-2. Comptes rendus intégraux
