Accueil > Sources historiques > Base de données bio-bibliographiques historiques sur les artistes canadiennes > DAVIDSON, Florence Edenshaw
Base de données d'artistes
DAVIDSON, Florence Edenshaw
- Naissance
- Masset, Queen Charlotte Islands, 1896
- Décès
- Skeena, Queen Charlotte Islands, 1993
- Notice biographique
- Florence Edenshaw Davidson grew up in the Haida village of Masset, on Haida Gwaii. She was the daughter of elders and artists Charles and Isabella Edenshaw, who gave her the Haida name Jadalq'egenga (“Story Maid”). Like her mother, Davidson became well known for her cedar and spruce-root basketry and button-blankets, which she began to make as a child. At the age of fourteen, the artist was wed to Robert Davidson (1880-1969) in an arranged marriage. They had thirteen children (some sources say nineteen). In 1951, the artist lost her home and all her possessions in a fire. In 1952, she returned to creating traditional Haida button blankets and baskets. Davidson imparted her great knowledge of textiles to a younger generation of artists, inspiring them to pursue these Haida art forms. Her daughter Primrose Adams, and granddaughter Isabel Rorick are both well known for their continuation of the family traditions in cedar bark and spruce-root weaving. One of her former apprentices is contemporary Haida artist Dorothy Grant. Her grandson, Robert Davidson, established himself as one of the most important Haida carvers today. He often collaborates with Rorick.
- Médias
- Textiles
- Lieux de conservation des dossiers et archives
- Montreal Museum of Fine Arts / Musée des Beaux-Arts de Montréal, QC
- Canadian Museum of Civilization Archives, QC
- British Columbia Archives
- Canadian Women Artists History Initiative Documentation Centre, QC
- University of Pennsylvania Library
- Columbia University, NY - Butler Library
- Royal British Columbia Museum
- BIBLIOGRAPHIE
Documents sur l'artiste- "During My Time: Florence Edenshaw Davidson, A Haida Woman." Journal of the West 23.2 (Apr. 1984): 109.
- "Humour and Love of a Haida Life." Vancouver Sun (5 Mar. 1983): C3.
- Bataille, Gretchen. Native American Women : A Biographical Dictionary New York: Routledge, 2001.
- Black, Joan. "Making Clothes for her Sisters Was Beginning of Great Career (1999 National Aboriginal Achievement Awards)." Windspeaker 16.12 (Apr. 1999).
- Blackman, Margaret B. During My Time: Florence Edenshaw Davidson, a Haida Woman. Seattle: University of Washington Press, 1992.
- Blackman, Margaret B. "Contemporary Northwest Coast Arts for Ceremonial Use." American Indian Art Magazine 10 (Summer 1985): 24-37.
- Blackman, Margaret B. "Review of During My Time: Florence Edenshaw Davidson, A Haida Woman." Woman's Art Journal 6.1 (Spring/Summer 1985): 51.
- Blackman, Margaret B. & Schneider, William S. Margaret Blackman Is Interviewed by William Schneider on August 12, 1983 in Fairbanks, Alaska. Fairbanks, Alaska: 1983.
- Cameron, June. 26 Feet to the Charlottes: Exploring the Land of the Haida. Surrey, British Columbia: Heritage House Publishing Company Ltd, 2009.
- Culley, Margo. American Women's Autobiography: Feasts of Memory. Madison, Wisconsin: University of Wisconsin Press, 1992.
- Harris, Christie. Raven's Cry. New York: Atheneum, 1966.
- Jensen, Doreen and Sargent, Polly. "Florence Davidson." Robes of Power: Totem Poles on Cloth. Vancouver: University of British Columbia Press, 1986.
- Jonaitis, Aldona. Art of the Northwest Coast Seattle: University of Washington, 2006.
- Knight, Rolf. Indians at Work: An Informal History of Native Labour in British Columbia, 1848-1930. Mitchell and Franklin, 1984.
- Lévi-Strauss, Claude. "Review." L'Homme 23.4 (Oct./Dec. 1983): 84.
- Macnair, Peter L. and Hoover, Alan L. and Neary, Kevin. The Legacy: Continuing Traditions of Canadian Northwest Coast Indian Art Victoria, British Columbia: The British Columbia Provincial Museum, 1980.
- McDougall, Anne. "Betty Goodwin" Canadian Encyclopedia Online Historical Foundation, 1998
http://www.thecanadianencyclopedia.ca/en/article/betty-goodwin-profile. - McMann, Evelyn de Rostaing. Montreal Museum of Fine Arts, Formerly Art Association of Montreal: Spring Exhibitions, 1880-1970 Toronto: University of Toronto Press, 1988.
- Rutherdale, Myra. Women and the White Man's God: Gender and Race in the Canadian Mission Field. Vancouver: University of British Columbia Press, 2002: 121.
- Shenk, Dena & Groger, Lisa. "Florence Edenshaw Davidson - A Haida Woman." Aging Education in a Global Context 26.1 (2005): 17.
- Sparrow, Kathy Bedard. "Correcting the Record: Haida Oral Tradition in Anthropological Narratives." Anthropologica 40.2 (1998): 215-222.
- Stearns, Mary Lee. "Review of During My Time: Florence Edenshaw Davidson, A Haida Woman." Ethnohistory 32.2 (Spring 1985): 193-195.
- Tippett, Maria. "During My Time: Florence Edenshaw Davidson, A Haida Woman." BC Studies 59 (Fall 1983): 67-69.
- Trafzer, Clifford E. "Review of During My Time: Florence Edenshaw Davidson, A Haida Woman." American Indian Quarterly 8.2 (Spring 1984): 134.
- Turner, Sarah E. " 'Spider Woman's Granddaughter': Autobiographical Writings by Native American Women." Melus 22.4 (Winter 1997): 109-132.
- Wigod, Rebecca. "Author Told Story of Haida Nation." Vancouver Sun (8 Jan. 2002): B7.
Documents rédigés par l'artiste- Davidson, Florence Edenshaw et al. Haida: Indian Music of the Pacific Northwest. Washington, D.C.: Smithsonian Folkway Records, 1999.
- Turner, Nancy J. & Davidson, Florence Edenshaw et al. Plants of Haida Gwaii: Xaadaa Gwaay gud gina k'aws (Skidegate) - Xaadaa Gwaayee guu gin k'awa (Masset). Winlaw, British Columbia: Sono Nis Press, 2004.
