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BULOW, Karen
- Born
- Denmark, 1899
- Died
- ?, 1982
- Biography synopsis
- Karen Bulow immigrated to Montreal in 1929 where she initially sold handwoven goods such as scarves, bags and belts and quickly developed a following for her designs. To keep up with the demand for her fabrics, she founded "Canada Homespuns," considered the first professional weaving studio in Canada which employed as many as seventy weavers. In 1933 Bulow also established her own weaving school, instructing from her studio until 1949. Interior designers sought out her fine drapery and upholstery fabrics noted for their Scandinavian aesthetic. Additionally, Karen Bulow neckties became iconic Canadian items, selling in the thousands each year across the country. Eventually, Simpsons and Eatons stores as well as more prestigious design shops carried her products. Bulow received many significant commissions, including those for Trans-Canada Airlines, CN and CP railways and the Bank of Nova Scotia Headquarters in Montreal. In 1960 she sold Homespuns, which was renamed "Karen Bulow Ltd." under the new ownership. In 1969 she was asked by the Government of Canada to participate in the development of the Inuit Pangnirtung weaving project. She was awarded honorary membership in the Canadian Crafts Council and admitted to the Royal Canadian Academy.
- Media used
- Textiles
- Memberships
- Royal Canadian Academy of Arts
- Canadian Crafts Council, 1976
- File & Archive locations
- Library and Archives Canada / Bibliothèque et Archives Canada, ON
- National Gallery of Canada, ON - Library and Archives
- University of British Columbia - Fine Arts Library
- Montreal Museum of Fine Arts / Musée des Beaux-Arts de Montréal, QC
- Canadian Women Artists History Initiative Documentation Centre, QC
- BIBLIOGRAPHY
Writings about- Alfoldy, Sandra. "Struggles for Recognition: Canada's Textile Pioneers." Crafting New Traditions: Canadian Innovators and Influences Gatineau, Quebec: Canadian Museum of Civilization Corporation, 2008: 77-86
- Baird, G., Gotlieb, R., Kingwell, M. and Gardiner Museum. True Nordic: How Scandinavia Influenced Design in Canada London: Black Dog Publishing Ltd., 2016
- Crawford, Gail. A Fine Line: Studio Crafts in Ontario from 1930 to the Present Toronto: Dundurn Press, 1998
- Cross, L.D. "Nuvisavik: The Place Where We Weave (Review)." Arctic 56.3 (Sept. 2003): 299-300
- Elder, Alan Johnson, Jean and Melanie Egan. Crafting New Traditions: Canadian Innovators and Influences. Hull, Quebec: Canadian Museum of Civilization, 2009
- Flood, Sandra. Canadian Craft and Museum Practice, 1900-1950 Hull: Canadian Museum of Civilization, 2001
- Gotlieb, Rachel. Danish Modern: Suzanne Swannie Textil. Halifax: MSVU Art Gallery, 2008
- Gotlieb, Rachel and Cora Golden. Design in Canada since 1945: Fifty years from Teakettles to Task Chairs Toronto, Ontario: Key Porter Books, 2004
- Harris, Jennifer. 5000 Years of Textiles. London: British Museum Press, 1993
- Hickey, Gloria A.. Making and Metaphor: A Discussion of Meaning in Contemporary Craft. Ottawa, Ontario: Canadian Museum of Civilization, 1994: p.85
- Houston, Alma. Inuit Art: An Anthology Watson & Dwyers Publishers, 1988
- Lesser, Gloria. Ecole du Meuble. Montreal: Le Chateau Dufresne, 1989
- Mancuso, Rebecca. Faces of Change : The Danish Community of Montreal. Montreal: Danish Canadian Society of Montreal, 1997
- McLeod, Ellen Mary Easton. In Good Hands: The Women of the Canadian Handicrafts Guild Ottawa: Carleton University Press, 1999
- Storey, Walter Rendell. "Fabrics for Diverse Purposes Come from Karen Bulow's Looms." Handweaver and Craftsmen Winter 1953-4: 14-17, 53
- Von Finckenstein, Maria ed. Nuvisavik: The Place Where We Weave. Ottawa: Canadian Museum of Civilzation, 2002
- Wood, Eizabeth Wyn. “Canadian Handicrafts.” Canadian Art 2.5 (Summer 1945)
- Wright, Virginia. Modern Furniture in Canada. Toronto: University of Toronto Press, 1997
